Definitions of tuning terms
© 1998 by Joseph L. Monzo
All definitions by Joe Monzo unless otherwise cited
positive system
A system of
temperament
in which the
"5th"
is wider (larger) than the
12-EDO
"5th" of 700
cents.
(I had originally provided some examples here measured
in terms of fraction-of-a-comma temperament. These
have been removed in favor of the ones given below.)
From Paul Erlich,
Yahoo
tuning-math message 2542 (Thu Jan 10, 2002 4:56 pm):
... Positive systems should be characterized by the fraction of a
schisma
that the fifths differ from just -- this is the relevant
measure of them. Knowing what fraction of a
syntonic comma a positive
system's fifth might have been increased by is irrelevant for
understanding the functioning of the system, and is potentially
misleading.
Manuel Op de Coul also suggested that I add the tuning's
"p"-rating, where "p" represents the Pythagorean comma
in terms of number of that temperament's scale degrees:
Yahoo
tuning-math message 2580 (Fri Jan 11, 2002 5:08 am):
A negative value indicates a negative temperament,
and a positive value indicates a positive temperament.
Values greater than one require an additional
qualifier, as, for example, 2 designates
"doubly positive", -3 is "triply negative", etc.
So taking Paul's advice and Manuel's suggestion,
here is the listing of the same EDO
"5ths", but giving this time their deviation from 3:2 in fractions
of a skhisma, and also their "p" value:
See also negative system
[from Joe Monzo,
JustMusic:
A New Harmony, with thanks to Paul Erlich
and Manuel Op de Coul.]
Updated: 2002.1.10
Today, on these [internet tuning] lists, we tend to call
negative systems
"meantone"
and positive systems
"schismic". The reason 700
cents was chosen as
the dividing line between "negative" and "positive" is that when the
fifth is below 700 cents, the "meantone" (+4 fifths) approximation to
the 5/4 is better than the "schismic" (-8 fifths) approximation to
the 5/4. When the fifth is above 700 cents, the "schismic"
approximation to the 5/4 is better than the "meantone" approximation
to the 5/4. I might differ, saying that there is a "gray area", and
also factoring the 6/5 into consideration . . . but the definitions
are well-established and there is no reason to favor ones which could
breed potential contradictions.
If v is the size of the fifth, and a the size of the
octave, then p = 12v - 7a. For example in 31-tET,
v = 18 and a = 31, so p = -1.
tuning p tempering of "5th"
17-EDO +1 == + 2 skhismas
22-EDO +2 == + 3 & 1/3 skhismas
+ 3 & 15/23 skhismas
29-EDO +1 == + 4/5 skhisma
+ 7/9 skhisma
+ 13/17 skhisma
39-EDO +3 == + 2 & 15/16 skhismas
41-EDO +1 == + 1/4 skhisma
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