Definitions of tuning terms
© 1998 by Joseph L. Monzo
All definitions by Joe Monzo unless otherwise cited
transcendental number
The set of real numbers can be divided into two subsets, the
algebraic numbers
and the transcendental numbers. Algebraic numbers are the roots of
polynomial equations with integer
coefficients. Transcendentals are not.
π
(pi)
and e
have been proved transcendental.
According to set theory, the number of algebraic numbers is countably
infinite (i.e., they can be put in a one-to-one correspondence with the
integers) while the number of transendental numbers is uncountably infinite.
So the possibilities for transcendental scales are hopelessly unlimited; one
could not even begin to classify them.
[from Paul Erlich]
(Erlich made the following observation about
transcendental numbers as a basis for tuning:)
Acoustically, the distinction between algebraic and transcendental numbers
is meaningless. Just,
equal-tempered,
meantone-type, and golden scales
account for only an infinitesimal minority of scales defined by algebraic
numbers. As rational numbers
have a distinct acoustical quality, one might
ask for numbers that are "most irrational".
It turns out that these numbers,
the noble numbers, are algebraic as well. So while there are tons of
interesting nj-net scales,
I can see no possible impetus for transcendental
scales.
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