Definitions of tuning terms
© 1998 by Joseph L. Monzo
All definitions by Joe Monzo unless otherwise cited
limma, leimma
(Greek: "remnant", plural: leimmata, limmata)
[from John Chalmers, Divisions of the Tetrachord]
The limma can be calculated thus by regular fractional math:
or by vector addition:
Below is a diagram illustrating this description, on an
approximate logarithmic scale:
ratio vector
2 3
A 1/1 -+- [ 0 0]
| \
| \
| \
G 9/8 -+- [-3 2] 81/64 [-6 4] = ditone
| /
| /
| /
F 81/64 -+- [-6 4] \
| 256/243 [ 8 -5] = limma
E 4/3 -+- [ 2 -1] /
A more accurate logarithmic value
for it is ~90.22499567 cents.
As the size of this 16/15 interval resembles another
Pythagorean semitone -- the apotome
-- much more closely, Woolhouse
perhaps should have used that name instead. Apparently he
based his terminology on the function of this semitone,
for the apotome is the Pythagorean chromatic semitone
while the limma is the Pythagorean diatonic semitone.
updated:
In prime
factor notation
this interval is written
283-5.
4 81 4 64 256
- ÷ -- = - * -- = ---
3 64 3 81 243
2 3
[ 2 -1] 4/3
- [-6 4] ÷ 81/64
--------- = ---------
[ 8 -5] 256/243
[from Joe Monzo, JustMusic: A New Harmony]
see also
apotome,
anomaly,
diesis,
comma,
kleisma,
skhisma,
5-limit intervals, 100 cents and under
Tutorial
on ancient Greek tetrachord-theory
2002.09.12
2002.01.05
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