Definitions of tuning terms
© 1998 by Joseph L. Monzo
All definitions by Joe Monzo unless otherwise cited
morion (pl.: moria)
1.
A term used by Cleonides in discussing
Aristoxenos's work,
to designate the small interval
describing 1/30th part of the
"perfect 4th".
It must be kept in mind that Aristoxenus himself never
gave an exact measurement for the "perfect 4th", calling
it simply a "concord". His method of
"tuning
by concords" results in what appears to be
12edo, in which case
the moria described by Cleonides would in fact refer to the
72edo-morion described below. Cleonides refers to the "4th" simply as
the "diatessaron", the usual Greek term for the interval;
thus no exact measure can be applied.
Let us assume for the purpose of this definition that
the "perfect 4th" is the
ratio 4:3.
This type of morion is calculated as the 30th root of 4:3,
or (4/3)(1/30),
thus having a ratio itself of approximately 1:1.009635528.
It is an irrational number.
The width of this morion interval is ~16.60149997
(pretty close to 16 & 3/5)
cents.
This interval therefore divides the
"octave",
which is assumed to have the ratio 2:1,
into ~72.28262519 equal parts. Thus this type of
morion represents one
degree
in 72.28262519-EDO
"non-octave" tuning.
There are just over 6 of these moria (a more
exact figure is ~6.023552099, about 6 & 1/42) in a
Semitone.
The formula for calculating this moria-value of any ratio
is:
(Thanks to Paul Erlich for helping me simplify that formula.)
2.
Because it is so close to the size of 1
degree
of 72-EDO,
the term "morion" is also used to designate that interval.
This type of morion is calculated as the 72nd root of the
"octave"
ratio 2:1,
or 2(1/72),
thus with a ratio itself of approximately 1:1.009673533.
It is an irrational number,
and the width of this morion interval is exactly 16 & 2/3
cents.
This interval therefore divides the
"octave",
which is assumed to have the ratio 2:1,
into exactly 72 equal parts. Thus this type of
morion represents one
degree
in 72-EDO
tuning.
There are thus exactly 6 of these moria in a
Semitone, and
(as in Cleonides's description) 30 of them in a
12edo
"perfect 4th" of 500 cents.
The formula for calculating this moria-value of any ratio
is:
Proof:
Cleonides. c 100 AD. Eisagoge.
Strunk, Oliver. 1950. Source Readings in Music History.
moria = log10(ratio) / log10[ (4/3)(1/30) ]
moria = log10(ratio) * [ 72 / log10(2) ]
The difference in size between the two different types
of moria is exactly 2
tuning units.
prime-factor vector
2 3
2(1/72) [ 1/72 0 ]
÷ (4/3)(1/30) - [ 2/30 -1/30]
-------------- = -----------------
[-19/360 1/30] = [2(-19/720) * 3(12/720)]2
(For an explanation of the
vector subtraction used in
the middle column of this formula, see my article
JustMusic
Prime-Factor Notation.)
REFERENCES
[English translation in Strunk 1950.]
Selected and annotated [and translated].
W. W. Norton. New York.
[English translation of Cleonides on p 34-46.]
See also:
Manuel Op de Coul's
Logarithmic Interval Measures,
my paper on Aristoxenos.
[from Joe Monzo, JustMusic: A New Harmony]
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